Showing posts with label FSSP. Show all posts
Showing posts with label FSSP. Show all posts

Wednesday, May 17, 2017

Requiem: the album


I've finally gotten around to seeing the promo video for the FSSP's new chant album: "Requiem". It's a stunning clip that deserves to be watched with full attention (fullscreen, 1080p, not on a smartphone). Everything about it exudes the medieval ideal of the liturgical choir... and what I'm striving to attain with my little start-up schola of male, surpliced chanters in the Philadelphia area. See below:




"Requiem" can be purchased directly from the Fraternity's site here. As an aside, I'm pleased to observe that one of the seminarians featured in the video assisted in the role of subdeacon for our nuptial Mass in 2014....



Friday, August 14, 2015

The Pugin brothers: Saint Mary's, Warrington


I'm jealous of a friend of mine, a seminarian of the Priestly Fraternity of Saint Peter, who lately had the opportunity to visit that Fraternity's latest acquisition: a splendid Gothic revival church in Cheshire (the archdiocese of Liverpool): the church of Saint Mary's, Warrington. The church was built by the Benedictine monks of Ampleforth Abbey beginning in 1875, which they managed to operate continuously all the way up to 2012! The church was designed by Edward Welby Pugin, Augustus's oldest son and successor to the business. Unfortunately, Edward died shortly after breaking ground (at 41, just one year longer than his father), but his younger brother, Peter Paul Pugin, assumed the project and took it to completion in 1877.

Here are some pictures my friend took. You'll see that Edward's style gradually diverged from Augustus's, particularly after 1859. Augustus's churches were usually of "country parish" proportions with very deep and narrow chancels, while Edward eventually addressed some of Cardinal Newman's criticisms against his father's work and brought the Gothic revival in line with "Tridentine" norms: smaller chancels, wider altars, and no rood screens to obscure the people's view of the high altar, to name a few. At the same time, Edward greatly enhanced the "vertical" aspect so that, in true Gothic style, even a common city parish was sure to make you feel like an ant inside it.