Showing posts with label traditional Latin Mass. Show all posts
Showing posts with label traditional Latin Mass. Show all posts

Thursday, April 6, 2017

Passiontidings

This past Sunday traditionally marked the beginning of Passiontide: the final two weeks of Lent. The old Roman practice dictated that all crucifixes and holy images in the church be veiled with violet fabric. Unfortunately, as with so many other things, the designation of the fifth Sunday in Lent as "Passion Sunday" was dropped with the Vatican II reforms, and the period of Passiontide effectively ceased to exist in most Catholics' imaginations. 

Nevertheless, a few very conservative parishes will continue the custom of veiling scared images without the need for a rubric. Passiontide survived in the high Anglican tradition, so it's no surprise that our Ordinariate parish avails of veils. Some of our photos were recently featured in today's Passiontide photopost on the New Liturgical Movement. I also include some below:


Procession before Mass while chanting The Litany, similar to this order from 1928 BCP



Chanting the Gospel in the midst of the nave. Notice the closed doors of the side altarpiece in the background

We were only able to enjoy the newly installed altarpieces for a week before having to close the doors


Passiontide continued with a special Mass at the parish of one of our traditional Latin Mass chaplains: the church of Holy Martyrs, Oreland. It's a fixer-upper, but the pastor has done a spectacular job in adorning the church over his short time there so far. I directed my schola for what was the first TLM celebrated at the parish since the Vatican II reforms.




Do the altar and pulpit look a bit familiar? Perhaps it's because they were both constructed for Pope Francis for his big televised Sunday Mass on the Benjamin Franklin Parkway during his 2015 visit to Philadelphia! (see below) Father K needed an altar for his own parish, asked for it, and got it.



The schola was circled to the left of the sanctuary. The Proper chants for ferial days during Passiontide can be rather tricky. They're so rarely used that they don't even appear in the Liber Usualis; you must have a true Graduale Romanum for those.

There was excellent turnout (50 or more on a weekday evening) and overwhelmingly positive feedback. Let's hope this marks the beginning of more traditional liturgies.

Wednesday, March 29, 2017

Make pax-bredes great again

One of the pax-bredes used by Philadelphia's TLM community
In my last digest covering Annunciation and Laetare, I failed to mention our sung Mass for St Joseph's Day at the Cathedral-Basilica of Philadelphia's altar of the Assumption, which ended up featured at the top of the New Liturgical Movement's photopost yesterday. Despite being a Monday night, there was a turnout of nearly a hundred, mostly young college students... many of whom were probably experiencing the old rite for the first time. As Mr. DiPippo says, "evangelize through beauty!" My men's plainchant schola is circled in a monastic singing formation to the right of the altar in the photos, rendering the full minor Propers out of the Liber Usualis. After the Offertory antiphon, we also chanted the hymn Te Joseph Celebrent.



A missa cantata for St Joseph at the Cathedral-Basilica of Philadelphia's altar of the Assumption
When celebrating a missa cantata, our particular TLM community preserves the medieval custom of exchanging the kiss of peace after the Agnus Dei among the servers and choir by means of a pax-brede: typically an image of the Lamb of God, but it could also be of a crucifix or other holy image, or could be a reliquary. What happens is that, in lieu of the Roman pax (the formal embrace) begun between the celebrant and deacon, the celebrant instead kisses the pax-brede. The MC then brings the pax-brede to each cleric and server (and choristers, if in the sanctuary area) to kiss. As at solemn Mass, the answer to the MC's "pax tecum" when he presents the pax-brede to be kissed is "et cum spiritu tuo". At the Mass pictured above, our schola had long since finished chanting the Agnus Dei by the time the MC came by with the pax-brede, so there was no obstacle to us performing the rite.


The origins of the pax-brede, in brief

It seems the pax-brede was originally developed by the medieval Church to give the pax to all members of the congregation in an orderly manner (and, perhaps, to sidestep the tensions caused by persons of the opposite sex who are not married to each other from kissing in church). At a time when Communion was not regularly distributed to the faithful, the pax was almost a substitute for it--everyone would come up to the chancel screen to kiss the pax-brede, much as communicants come up today. Surviving examples from the medieval centuries are often richly detailed. In Shakespeare's Henry V, the king sentences his old pal Bardolph to death "for he hath stolen a pax" from a church in the middle of their invasion of France.

The Una Voce position paper on the kiss of peace explains why this practice declined thus: 
"The direct participation of the Faithful in the Pax, for which the Paxbrede was particularly well suited, began to die out in the following centuries in most countries. The liturgical scholar Polycarpus Radó suggests ‘reasons of hygiene’ for this. Another practical reason seems to have been that the practice of passing the Paxbrede among the Faithful according to their social degree led to unedifying disputes over precedence. A modern factor which reduces the time available to present the Paxbrede is the frequency of the Communion of the Faithful during Mass."
The discontinuation due to "reasons of hygiene" is strikingly similar to the argument made in an article in Crisis posted just last month against the modern practice of the Sign of Peace in the Ordinary Form Mass: "A Trinity of Bad Hygiene". And the squabble over precedence amongst the folk of the medieval parish, suggested above, is perfectly illustrated in Eamon Duffy's The Stripping of the Altars:
'In 1494 the wardens of the parish of All Saints, Stanyng, presented Joanna Dyaca for breaking the paxbrede by throwing it on the ground, "because another woman of the parish had kissed it before her." On All Saints Day 1522 Master John Browne of the parish of Theydon-Garnon in Essex, having kissed the pax-brede at the parish Mass, smashed it over the head of Richard Pond, the holy-water clerk who had tendered it to him, "causing streams of blood to run to the ground." Brown was enraged because the pax had first been offered to Francis Hamden and his wife Margery, despite the fact that the previous Sunday he had warned Pond, "Clerke, if thou here after givest not me the pax first I shall breke it on thy hedd."'

Using the pax-brede today

Whatever the reasons for its falling out among the laity, the use of the pax-brede remains a fully licit option in the rubrics of the traditional Latin rite for both sung and even low Mass. Despite having survived even amongst the laity until recent times in Spain and certain Spanish territories, a good case could probably be made against offering the pax-brede to the entire congregation, especially in these times of regular Communion. But for the servers and clergy (and liturgical choir, if present, as well as any princes or lay dignitaries present), the rite has much to recommend it. The pax-brede not only emphasizes a continuity between sung/low Mass and the ceremonies of solemn high Mass; it also reminds us that, however ill-advised the modern practice of the peace in the Ordinary Form is, the concept itself was not invented out of whole cloth as many traditional Catholics mistakenly assume.



The same pax-brede from the opening of the article, shown from the side

Another pax-brede used by the community

Friday, January 13, 2017

Reflection on exercising the office of subdeacon

Assisting at the blessing of gold, frankincense, myrrh, and chalk this past Epiphany.
In the months following my institution as an acolyte in the Ordinariate, which I wrote about in my piece here last September, I unfortunately haven't yet been able to exercise the subdiaconal role for an Ordinariate liturgy because our parish doesn't have a deacon (which, as in the traditional Latin Rite, is required to have a proper high Mass with the three vested ministers). You could say my institution was partly in anticipation of us eventually getting one of our priestly candidates ordained transitionally to the diaconate. The good news is that in the meantime, I've been blessed to lend out my services in the role of subdeacon for three solemn Masses in the traditional Latin Rite at the local Cathedral-Basilica in Philadelphia, and once for a friend's wedding.

It's safe to say that in the western Church today, the vast majority of men who assist as subdeacons are either already priests, or they're seminarians from the Ecclesia Dei societies (such as the FSSP) who are just one or two years shy of being ordained as such. For them, the role is a stepping stone on the path that brings them ever closer to offering the holy sacrifice in their own right. This may be one reason why I haven't been able to find a written reflection anywhere on the Internet about one's experience in serving Mass as a lowly subdeacon--perhaps it's not been thought of as worth writing about. So, for today's column, I'll aim to fill the void by penning a brief reflection on my experience serving in this important but near-totally forgotten ministry.

The subdeacon, in essence, is the deacon's first minister, just as the deacon is to the celebrating priest. By wearing such a similar vestment and standing at the priest's left side just as the deacon stands to the priest's right, it's almost as though this ministry allows the deacon to "bilocate"--to stand in two places at once and more effectively carry out his own office. This will be clearer as we progress through the column. While it's true that subdeacons weren't used by the twelve Apostles, they're referred to in Christian literature as early as the 3rd century, demonstrating how cavalier it was to dispense of the office after 1970 like yesterday's garbage.


The subdeacon's office begins in the sacristy. Typically, when you walk in, the sacristan has already laid out three sets of vestments atop the central armoire, with the subdeacon taking the one on the left. Like the other ministers, after donning the cassock and washing his hands, the subdeacon starts with the amice, kissing it, laying it briefly over his head, then pulling it down and around his neck and shoulders. Ideally, he also recites the traditional vesting prayers before putting on each item, just as the priest does (I read them off of a card of my own design).

While the alb has become standard for altar servers in most parishes, most servers at Extraordinary Form or Ordinariate communities will have never worn one because they're reserved to major ministers. Instead, servers wear the abbreviated version known as the surplice. The traditional alb has to be gathered around the waist with the cincture, which also has its own prayer and special way of being tied. Since I've never been in the habit of using a cincture and I don't exactly keep one at home to practice with, I still have to ask for the MC's or a knowledgeable acolyte's help every time I put it on. (Also, a reason I picked the Army over the Navy after high school. The knots would have killed me.) Thankfully, according to tradition, the ministers are assumed to not be able to dress themselves for high Mass, anyway. Ceremonial books like Fr J.B. O'Connell's The Celebration of Mass suggest that the first and second acolytes help the deacon and subdeacon to vest, and then in turn the deacon and subdeacon assist the priest. It goes against our American do-it-yourself pride, but the implied help is a lot better than vesting oneself and then asking the MC, "does this look crooked to you?"

The vestment unique to the subdeacon is the tunicle with the prayer: "May the Lord clothe me in the tunicle of delight, and the garment of rejoicing." In theory, the tunicle is supposed to be a bit shorter and less embellished than the deacon's dalmatic, but in practice these days, they tend to look identical. Subdeacons began wearing these in Rome as early as the sixth century, although at various points in Church history, its use spread also to simple acolytes when serving in positions of honor such as carrying the processional cross--a custom still maintained in some Anglican and Ordinariate communities, and even some EF ones like our Cathedral Masses from time to time.

The tunicles laid out for me are usually of the stiff Baroque kind, which my longtime readers know I'm not fond of compared to the elegance of Gothic and other styles dating to the medieval era. On the other hand, I've come to accept that Baroque vestments are still infinitely preferable to the abominations you'll find in 98% of all the sacristies worldwide--polyester rags which any dime-store Wiccan priestess would be embarrassed to put on. Further, when I put on that tunicle, I become a servant, both to God and the people assembled to pray. If the vestments are devoutly made, meet the liturgical precepts, and edify the people who look at the ministers wearing them, who am I to complain? So, when I say "the garment of rejoicing", I really do mean it. It's a privilege to take up the subdiaconal office whenever I can.

Waiting for the signal, like "greyhounds straining upon the start", we line up for the procession in single file according to the order of precedence, although if the celebrant starts out with the cope instead of the chasuble, the deacon and subdeacon stand to his left and right to hold the edges up. Depending on how many people show up for a Mass at the Cathedral, we might take a circuitous route around the back of the church to make for a longer procession down the central aisle. Upon entering the Cathedral's enormous sanctuary, we turn left and right to salute anyone sitting in the choir stalls, then gather at the foot of the altar. The MC walks by to collect our birettas, then we begin reciting the Prayers of Preparation while the choir chants the Introit.


In the vast space of Ss. Peter & Paul, Psalm 42 and the Confiteor actually take on quite an intimate nature because no one in the congregation, and possibly not even the acolytes over by the credence table, can hear what we're saying. In fact, I can barely hear the deacon to match his cadence when reciting our versicles together. There's also the awkward feeling when you're standing to recite the Prayers at the Foot, because any altar server for the Extraordinary Form from the MC on down has, until this point, only ever recited the Prayers at the Foot while kneeling (at my Ordinariate parish, we stand for the Prayers of Preparation in English, but we recite them in the sacristy immediately before processing in for Mass, so that's different). When the priest turns from side to side during his confession to say et vobis, fratres ("and to you, brothers") and you're standing beside him, you get a sense that he's reciting the prayer as it was originally meant to be. At least in my mind, fratres doesn't seem to ring quite as true when the only one being addressed is a 10-year old boy.

We ascend the altar together so the priest can incense it. Whenever I go up the steps with the priest, I pinch and lift up the hem of his alb to give him greater freedom of movement as he goes up: one of many gestures that modern man derides, as though we treat the priest like an enfeebled old man. Every time the priest genuflects, I place my hand on his elbow to stabilize him and help him get back up. When he walks from side to side swinging the thurible, I lift up the edge of his chasuble to let him extend his arms freely. Of course, with a fiddleback, this is purely symbolic, but if he were wearing a voluminous conical chasuble, holding up the edges would be a practical necessity.

On the Epiphany, the poinsettias were really getting in the way of things....
You'll notice that the ministers go through much of the Mass lined up like ducks in a row above. The Roman Rite is fond of visually emphasizing order and how everyone has their assigned place. (Practically, it means the subdeacon spends a lot of time looking at the back of the deacon's neck.) Every old parish church with this series of steps leading up to the high altar was built with the idea that they at least had the potential to celebrate a high Mass with the traditional three vested ministers all lined up in a path of ascent. Just one of many signs of how radically priorities have changed is in the way altars are arranged in most modern churches: with no steps, but rather, placed just so that as many people as possible can gather around it horizontally.


The subdeacon's most visible, and audible, "job" at high Mass is chanting the Epistle reading. At the Cathedral, the MC walks up beside me, presents me with the Book of Epistles, and shows me to my place. It's a cavernous space to fill with one's voice, especially if you're facing ad Orientem ("away from the people", as the other party calls it). Right away, you appreciate the genius of requiring a minister to sing the text because, from a purely practical point of view, to merely shout the reading across the cathedral in the spoken tone without the aid of a microphone would make anyone go hoarse by the end of the lesson. Once that's done, I return to the priest, going up the altar steps at the Epistle side to present the book to him, kiss his hand, and receive a blessing.


After the priest privately reads the Gradual and Alleluia (or Tract in Lent) out of the altar missal, I go up to switch the missal over to the Gospel side, then return to the foot to help form up the gospel procession. We all follow the candle-bearing acolytes to the place where the Gospel is to be read, and I hold the Gospel-book for the deacon in such a way that he can chant it facing north (sideways, from the congregation's point of view). After the reading, I make a beeline for the priest, presenting the Gospel-book to him while pointing to the beginning of the lesson so he can kiss it. It's one of many small actions that you can easily miss just watching from the pew, but I like to think of it as one of many gestures that give lie to the idea that Catholics don't revere the Bible.

During the sermon (and possibly the Gloria, or even a very long Gradual) we sit at the sedilia. Unless the celebrant is also preaching, we feed his chasuble behind the back of his seat to let him sit down unencumbered, then the deacon and subdeacon bow to each other and sit. Sometimes we'll have the first and second MC on either side of the sedilia to even attend to the deacon and subdeacon with their birettas and the backs of the vestments. If that seems like an excessive chain of waiting-and-being-waited-upon, I'll assure you that there's no comfort whatsoever in sitting in a prescribed posture (upright, hands on knees, not gazing mindlessly around the church) with stiff vestments. Strictly speaking, just as in Downton Abbey, you're not supposed to lean against the back of the sedilia because the backs are strictly ornamental. With so many things to remember, both at the bench and throughout the whole liturgy, one can appreciate the wisdom, yet again, of having the MC prompt the ministers on when to doff their birettas (such as at the uttering of the Holy Name of Jesus, and certain sung phrases like suscipe deprecationem nostram/"receive our prayer"). It may be different for those subdeacons who are privileged to assist in the role on a weekly basis, but for those whom only perform the office on occasion, there's a lot to mentally keep track of while also maintaining any kind of prayerful reverence all at once.


At the Offertory, I go over to the credence table and allow acolytes to help clasp the humeral veil around me. With it, I carry the chalice and paten up to the deacon. Usually as an altar server, you might present the wine and water cruets to the priest for him to pour into the chalice himself, but at solemn high Mass, the deacon and subdeacon do the pouring for him. The deacon then gives me the paten to hold and "hide" under the humeral veil at the foot of the altar for the whole Canon of the Mass. This curious custom has had a lot of mystical associations fixed to it over the centuries, but its origins may stem from practices of the early Church that have otherwise long since passed into history. Mr. Louis Tofari has a detailed column on this very subject (using a photo from our nuptial liturgy for the header) here.

Another one of the subdeacon's duties is going around, "passing the peace". The Roman pax, however, is a lot more deliberate and dignified than what most of us are accustomed to when we think of the "sign of peace".
The most powerful moment of the Mass for me when serving as subdeacon is the priest's Communion. In the Ordinary Form, the priest's and people's Communions are done in a fluid sequence, but in the old rite, the order of Mass makes it clear that the celebrant's act of receiving Communion alone is what completes the holy sacrifice. There's a whole series of prayers and actions leading up to it, and the Communion for everyone else in attendance (even be he a cardinal) is made in a separate ritual which, for centuries, was more often done completely outside of Mass altogether. But when the priest receives, the deacon and subdeacon wait upon him on either side until right before he's about to receive the Host. At that point, they step a few paces back and bow to give the priest some space to reverently receive. We then return and I uncover the chalice so he can receive the Precious Blood. Again stepping back and then returning, after I replace the pall on top of the chalice, the deacon and I switch sides and proceed with the "second Confiteor".


Perhaps the worst aspect of assisting as subdeacon is in distributing Communion to the faithful. What I mean here is that, in the traditional arrangement, the deacon and subdeacon accompany the celebrant to every person who receives the Host from him. The deacon at least has a real job to do by holding the altar paten under each communicant's chin. The subdeacon, however, merely stands the celebrant's side ornamentally. I suppose he could come in handy if a ruffian came up to assault the priest, or if the priest accidentally dropped the ciborium.... but otherwise, the subdeacon just stands there, hands folded, watching God's children of every size and shape receive the Body and Blood of Christ. One thing I do like is how often I see someone come forward, sticking their hands out even while kneeling. Obviously to most of my readers, there's no Communion in the hand allowed at a traditional Latin Mass! But what it means to me when someone does this is that they've come to discover something new. It may be their first time attending a Latin Mass, or perhaps they accidentally walked into the "wrong Mass". That's okay, though, because the old liturgy is for everyone--not just a select few who have long cultivated an appreciation for dead languages and seemingly esoteric worship. The rebuilding of what was lost is done by just these sorts of encounters: one by one, soul by soul.


My last major duty is at the very end of Mass, or perhaps more properly speaking, just after the end. As I did for deacon during the Gospel reading, I hold up the Gospel again, this time for the priest to read John 1:1 off of the card. In other forms of Mass, the priest simply reads off of the card as it rests on the altar, but in a high Mass, the subdeacon will actually go to the corner and pick the card up for him to read. At the words et verbum caro factum est ("and the Word was made flesh"), the subdeacon is the only one in the church who remains standing because everyone else genuflects with the priest.

We're given back our birettas and recess out just the same way we came, back to the sacristy. Before removing our vestments, there's a beautiful little devotion that we do at the Cathedral which the congregation never sees. As the ministers approach the cross in the sacristy, the priest says, Prosit ("may it be to your benefit"). The deacon, subdeacon, and all the servers respond, pro omnibus et singulis (for all and for each). Then we all kneel to receive a final blessing. Thus, we put away our vestments, and the long, thankless work of our sacristans and servers in dismantling the high altar and all the EF-related items begins.

The subdiaconal ministry is a privilege to me for allowing me to be so close to the altar, and a blessing for those attending who get to partake in the full ceremonial of the Church's rich liturgical tradition. However, in the end, all I do is follow a set of instructions as closely as I can manage by people who know the ceremonies better than I do, all while maintaining a reverent and respectful bearing. The real work in making these grand liturgies possible is done behind the scenes. Remember that many Latin Mass communities (and Ordinariate groups as well) ultimately run the sacristy out of a few dedicated laymen's car trunks because they're using borrowed space. If you ever attend Mass at such a place, be sure to offer a kind word of thanks or a helping hand to those laymen who make it all possible!


Thursday, February 4, 2016

Candlemas


February 2 was, like so many other feasts that have fallen by the wayside in modern times, one of the great Christian festivals of the medieval world. It commemorates the fortieth day after Christmas, when the Blessed Mother presented the infant Christ at the Temple of Jerusalem and submitted herself for ritual purification according to the law of Moses. At Christendom's height, a lengthy service prior to Mass developed which involved the blessing and distribution of candles, and a procession of lights around the church or even the village. We may or may not have inherited this love of walking about with candles from our pagan forefathers, but its Christian significance lies in the words of Simeon, the elderly Jew to whom the Holy Ghost promised he would not die until he had seen the Messiah with his own eyes. Simeon was present at the Temple during the presentation of Jesus, and said:
"mine eyes have seen Thy salvation, which Thou hast prepared before the face of all people;To be a light to lighten the Gentiles and to be the glory of Thy people Israel."
Last Tuesday, I was privileged to partake in these traditions in a small but special way. Solemn high Mass in the old rite was celebrated at the Cathedral-Basilica in Philadelphia. I joined some servers of varying ages from the various Latin Mass communities across the city, as well as three diocesan seminarians, to walk in the procession around the church and sit "in choir" for the Mass. As the candles were being distributed to the congregation, the choir sang the words Simeon spoke all those centuries ago, the Nunc dimittis.

Lumen ad revelationem gentium. "A light to enlighten the Gentiles."

Small as my role was, this Mass was a life-changing experience for me. Perhaps not a Damascene conversion or fodder for a column in a vocations magazine, but I couldn't help but feel a stronger pull toward an ongoing discernment I've had for years toward the so-called "permanent" diaconate. It's very rare for lay servers these days to be able to attend Mass in the sanctuary, but without all the distractions of multiple duties. When you sit "in choir", though, you enjoy being not only very close to the altar, but some freedom to simply watch and pray the Mass, or read from a hand missal when seated. I even fulfilled the "choir" part of being "in choir" by singing the Credo from my Liber Usualis (the rest of the Mass Ordinary was polyphonic). It was amusing to watch the young boys in front of me awkwardly exchanging the kiss of peace, to the second MC's dismay. I hope they continue to foster a love for the altar and consider a vocation to the priesthood.

And to think: all this taking place in the very same sanctuary where the Pope himself celebrated Mass  for the clergy of Philadelphia just a few months ago!




Some of our Knights and Dames of Malta joined in this procession as well.

The vestments selected for this Mass were splendid Gothics with fleur-de-lis.



Friday, August 14, 2015

The Pugin brothers: Saint Mary's, Warrington


I'm jealous of a friend of mine, a seminarian of the Priestly Fraternity of Saint Peter, who lately had the opportunity to visit that Fraternity's latest acquisition: a splendid Gothic revival church in Cheshire (the archdiocese of Liverpool): the church of Saint Mary's, Warrington. The church was built by the Benedictine monks of Ampleforth Abbey beginning in 1875, which they managed to operate continuously all the way up to 2012! The church was designed by Edward Welby Pugin, Augustus's oldest son and successor to the business. Unfortunately, Edward died shortly after breaking ground (at 41, just one year longer than his father), but his younger brother, Peter Paul Pugin, assumed the project and took it to completion in 1877.

Here are some pictures my friend took. You'll see that Edward's style gradually diverged from Augustus's, particularly after 1859. Augustus's churches were usually of "country parish" proportions with very deep and narrow chancels, while Edward eventually addressed some of Cardinal Newman's criticisms against his father's work and brought the Gothic revival in line with "Tridentine" norms: smaller chancels, wider altars, and no rood screens to obscure the people's view of the high altar, to name a few. At the same time, Edward greatly enhanced the "vertical" aspect so that, in true Gothic style, even a common city parish was sure to make you feel like an ant inside it.